Kalkin Revelation: Szenenauflösung
From Live Cinema Research
Revision as of 19:25, 5 December 2007 ProtoAdmin (Talk | contribs) A29.8 ← Previous diff |
Current revision ProtoAdmin (Talk | contribs) Dialog: |
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Az: Hi | Az: Hi | ||
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Az: Azrael ist mein Name. | Az: Azrael ist mein Name. | ||
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Old R.: Bist Du registriert? Wie war Dein Name? | Old R.: Bist Du registriert? Wie war Dein Name? | ||
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Az.: Ich denke schon. Azreal.... sagte ich bereits. | Az.: Ich denke schon. Azreal.... sagte ich bereits. | ||
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Old R.: Ja Du stehst drauf. Komm wir gehen rüber die anderen warten schon ewig. | Old R.: Ja Du stehst drauf. Komm wir gehen rüber die anderen warten schon ewig. | ||
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Az.: Kannst Du meine Tasche nehmen? | Az.: Kannst Du meine Tasche nehmen? | ||
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Old R.: Oh Mann ja komm gib her. | Old R.: Oh Mann ja komm gib her. | ||
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Old R.: Wir gehen gleich rüber. | Old R.: Wir gehen gleich rüber. | ||
Current revision
Codenummer: PointOfView.PictureNumber.Actionplate.SubActionPlate(G=PureGrafik, LA=LiveAction) Example:
- P13.25.b (LA) = Pings Point of View, Picture 13, Action 25b (probably some subclip to explain something in more detail), Life Action
- AB25.105 = Azreal and Big Fishs Point of View, Picture 25, Action 105
- B30.39(G) = Big Fishs Point of View, Picture 30, Action 39, Purely Graphic
Act 0 - Title and Establishing Scene
O0.1
The movie opens with a flight from high above, into the divided city of Berlin(in a map/3D style) The year is 2028. One half is very green and the other white with sparse spots of greenery here and there. The surrounding land is absolutely green with white spots dotted about, resembling huge corporate greenhouses.
O0.2
The next shot shows the 'white' side, its huge clean structures blink up, and the text 'Bayeonia' comes into view.
O0.3
Scenes of futuristic surveillence cameras/robots,
O0.4
Clean white glassy architecture and
O0.5
people in corporate clothing, working like robots are seen(maybe intercut with robots).
O0.6
We cut back to the top view of the city, this time 'Berlin' (so the anarchic side blinks).
O0.7
The picture freeze frames, getting noisier, and zooms out to reveal it is a video showing on a floating screen.
Act 1 - Protagonist Introduction
Ping's point of view
P1.1
Retreatin further, the camera shot moving away from the beginning 'poster performance', we see Ping's arm which has an interface to control the floating screen. The camera moves further back and slightly sidewards, to show Ping seated on the grass, looking away from the screen to her right, distracted by a beautiful butterfly on a flower in front of her for some moments before it flies upwards. She watches it till it dissapears from sight.
P1.2
She is fiddling with the tattooed interface on her arm (stroking it upward downward). We see the butterfly and the flower as it would be seen from Ping's point of view, on the floating screen. Then she rubs her finger to the left over her arm, and we see the last bit of the poster sequence from the beginning.
P1.3
At the end of that "loop" she pushed her thumb down (closeup on the interface with her fingers moving over it)
P1.4
and the butterfly appears.
P1.5
Closeup her face: She smiles satisfied,
P1.6
pushes again on a different part of her arm, where her signature appears on the floating screen 'PING propaganda for a better world' (or some such. I have to find a better slogan or a good logo Banksy comes to mind!!!). She again rubs her thumb (closeup), and the whole sequence plays from where the anarchic side blinks, to the butterfly, and then her signature. Happy with her work, she turns off the screen which swirls into a black tiny thing implanted on her arm. She again touches her tattooed interface, takes the chip that is magnetically attached to a different part on her arm, and gets up.
Az's point of view
A27.1
Closeup on Azraels Feet with Azraels Shoes which are on some kind of elevation (concrete block or railing, or such) with a blurry street in the background. His Hand comes into view, and he slides his finger over the sides of the shoes. When he rubs his finger in one direction, the shoe 'laces' are tying closer, making the shoes fit better.
A27.2
Then he stretches (left right loop) and
A27.3
does other warm ups (decided when on location, like jumping up and down a little, etc).
A27.4
He practices a jump over a railing or other obstacle a couple of times, then jogs off into an alleyway.
Big Fish's point of view
B36.1(G&LA)
We see a swarm of nanobots assembling themself into some kind of iris-lookalike structure. The structure slowly zooms out until we see that the nanobots where visible on a floating screen and the screen is attached to some strange structure that resembles a electron microscope. The outline of Big Fish backlit by the screen comes into view.
B36.2
His hands fiddle with his nanobot collecting pen which he places on the glowing bit (which has a premade hole) of the tunnel microscope (lower part).
B36.3
closeup The pen fills up (visible by a transparent part of the pen that starts glowing more and more).
B36.4
close/halbnahe -> He grabs the pen
B36.5
halbtotale - then moves over to his experimentation table where an eyeball-like white substance/object is in a casing on the table.
B36.6
nahe/closeup - He puts his pen over it and pushes the button on the end with his thumb.
B36.7
The pen empties - Instantly the same kind of iris-lookalike structure that we have just seen under the microscope is forming on the eyeball. It starts glowing; closing and opening like the aperture of a camera, rotating and then disintegrating, somehow eating into the eyball which turns black and starts smoking.
B36.8
Face of Big Fish -> frowning He looks worried.
Act 2
Ping's point of view
P1.7
Ping grabs her spray paint belt that lies next to her, and gets up.
P1.8
She walks out of the park into the city.
P2.9
Along a street
P2.10
and then another street, where at one point, we see AZ in the background training.
P2.11
A little further along she briefly talks to someone on the way.
P2.12
Yet further along, she spots an old MoPic Shoe Poster (from a earlier version of Azraels Shoes, that shows some functionality of Azraels Shoes) and
P2.13
prises off the chip that sits inside the old poster - making it defunct. (closeup of her hand, putting her knife onto the spot, cutting a square hole, prising it open and plopping out the chip.
P2.14
She pulls out a chipfrom her belt and
P2.15
puts it into the poster, in place of the other one. (closeup again)
P2.16
Instantly her butterfly sighting appears on the posterscreen.
P2.17
Continuing walking down the street and around the corner
P3.18
she finally arrives at a spot where she decides it would be a good place to put up the full installation.
P3.19
She wipes off dust and dirt with her hand,
P3.20
then pulls out a roll and spray can.
P3.21
Putting the roll on the ground,it unfolds itself into a flowery ornamental mask.
P3.22
She shakes the spray can and
P3.23&24&25
starts painting the wall with some white/blueish glittery stuff in a horizontal rectangular longish shape.(couple of closeup and other camera POVs showing her painting the wall)
P3.26
When the nearly perfect rectangle is done she picks up the mask and
P3.27&28
spray-paints the right edge with the mask.
P3.29&P30
She would need to wait for a short while for the paint to dry. A good time to roll a cigarette. (closeup rolling the cigarette)
P3.31
Once her mural has dried, she pulls out a chip from her belt
P3.32
pulls off the protection paper and
P3.33&34
places it into the round hole of the mask shape on the wall. (One closeup popping the chip in place)
P3.35
Slowly a picture is assembling,(half natural, half electronic looking) showing Pings signature. Then the whole clip we have seen in the intro sequence, is shown on the spray painted motion picture canvas. Just when we enter the part showing the anarchic site blinking, the signal drops and some strange binary numbers flash onto the screen ('LIFE' in binary code).
P3.36
Looking puzzled
P3.37
she turns on the interface on her arm (CloseUp)
P3.38
"rewinds" the installation with her thumbs. Looking at it again there seems nothing wrong with it. She scratches her head shortly.
P3.39
Happy that she has done her job well, and being at peace with her creativity, she leaves the scene
P4.40
and stumbles back through the city, which is getting into sunset mood.
P5.41
She enters an abondened looking building, (opening door and getting in).
P6.42&43&44
and climbs the stairs
P7.45
to the roof,(opens door to the roof and steps out).
P7.46
There she sits down,
P7.47
smokes the pre-rolled cigarette
P7.48
and chills with, a nice view over the city.
Az's point of view
A2.5
We see AZ jogging down a street, and see Ping in the Background. (P2.10).
A28.6
We see AZ jogging down another street.
A28.7
He arrives at the parkour start point, where the other three parkour runners are already standing on the registration point, talking to the registration man. Azrael goes to them and
A29.8
tells the registrar who he is.
Dialog:
fRED:Warum gehts nich los? - las mal gucken Old R.
fRED: Hmmm. Fehlt nur Azrael - den kennt eh keiner. Las uns losmachen!?
Old R.: komm warte kurz. Wir gehen gleich rüber
Old R.: ah da kommt er ja
fRED: wegen einem - komm - is doch nanoscheisse.
Old R.: Hi
Az: Hi
Az: Azrael ist mein Name.
Old R.: Bist Du registriert? Wie war Dein Name?
Az.: Ich denke schon. Azreal.... sagte ich bereits.
Old R.: Ja Du stehst drauf. Komm wir gehen rüber die anderen warten schon ewig.
Az.: Kannst Du meine Tasche nehmen?
Old R.: Oh Mann ja komm gib her.
Old R.: Wir gehen gleich rüber.
Old R. lauter: Ok Leute lasst uns zum Start gehen und endlich anfangen.
A28.9
The man puts down a checkmark next to his name on the electronic paper he is holding. (closeup)
A28.10
Azrael gives the registrar his small rucksack.
A28.11
The registrar is then calling the group of runners to attention, and
A28.12
they get ready on their position marks on the street.
A28.13G
A list of rules rolls through the screen (no physical harm to the other runners; points for best route; best jumps, and first to get to the finish).
A28.14
A group of people cheer from the sidewalk.
A28.15
The laser line in front of the runners starts flashing faster and faster until it goes out. The race starts, and the runners run down the street.
A28.16&17&18&19
They hop over obstacles (benches, trashcans whatever there is) and push and shove each other. Two (not AZ) even have a scrap, one falling down. ( it is supposed to be a rough race)
A28.20
In the distance they are running down different alleys and streets, splitting up and going in different entrances.
Big Fish's point of view
B36.9
The put down man who just had a failed experiment, is rolling to his communication desk
B37.10
closeup hand auf tisch - where he makes some movement on the table interface, that closely resembles the interface Ping has on her arm.
B37.11
halbnahe silhouette wie am anfang- On one of his floating screens a list of 'emails' or better 'avatar mails' is showing up.
B37.12
closeup - thumb on the interface, he scrolls through them
B37.13
halbnahe von B27.11 - and the topics are all a bunch of 'Help me! Need cure for my limb/leg! My plants are loosing leaves!', etc. Some of the other screens show a "network error" and are flickering.
B37.14
closeup finger again - his finger is scrolling down
B37.15 & 16(G)
halbnahe von B27.11 - through the list of avatar-mails. One of the mail blinks 'selected', but shortly after there is an 'error message' showing a failed connection (due to unknown network error) -
B37.17
halbnahe/nahe - Big Fish shakes his head in dissapointment.
Act 3
Ping's point of view
P7.49
Dreamily looking around, she also looks down from the roof.
P7.50
and sees AZ running by on on edge.
P7.51
She follows him with her eyes (closeup on her turning her head) around the corner of the building she on, and
P7.52
watches him running towards an old sliding door. The door opens way before AZ reaches it but just when he actually arrives and wants to enter the building it slams close resulting in Azrael running into it. (camera perspective would ideally include pings shadowy figure in the forground and the sliding door with AZ down the street (maybe needs a ladder for camera position or such))
P7.53
Ping laughs a bit, (closeup face)
P7.54
Azrael moves back. It re-opens, only to close again when Azrael tries to run through again. One two more tries
P7.55
Ping is laughing loudly,
P7.56
Az looks up and
P7.57
she instantly hides (falling rolling backward) on the roof so he can´t see her, feeling as if caught red-handed - even though she is innocent of manipulating the door.
P7.58
She grabs her stuff and runs off
P7.59
through the door she came through.
P8.60
Still laughing, she is running down the stairs and
P9.61
goes into the street checking behind her that Azrael is not following.
P9.62
After running down the street and then feeling safe from pursuit,
P10.63
she enters another old fucked-up building,
P10.64
and going up some other stairs
P11.65
opens a the door a crack to Big Fish's laboratory saying "Hi" (waving her hand childishly) to Big Fish who is still trying to figure out what's wrong with his communication devices, and looks grumpy, having had a bad day with nothing working as expected.
P12.66
We see Ping entering an amazing bright room (door opens illuminous).
P13.67
inside a green house full of plants and flowers.
P13.68
She takes off some old leaves from a plant,
P13.69
talking and stroking a flower that bears fruit. She
P13.70
picks a tomato
P13.71
eating it instantly.
P13.72
Big Fish is entering the Green House
P13.73
and Ping gives him a warm hug - his face brightens up.
P13.74
Ping activates her implanted interface and her floating screen swirls up before her.
P13.75
She presses another button (closeup her arm interface) and
P13.76
the loop of Azrael slamming into the door shows up (showing AZ only from Pings Point of View without ever showing his face). Both crack-up with loud laughter for a while.
P13.77
She turns off her screen which swirls back into her arm and Big Fish gives her another hug. They leave the green house.
P13.78
Ping quite happy, sits down on something in the greenhouse and reactivates the screen.
P13.79
Pulling out another stored typography loop (closeup arm)
P13.80
that reads something like 'Technology You Trust', she puts it over the loop and adds her signature to it, then smiling, turns off the screen, gets up and leaves the greenhouse. (all fixed camera position)
P14.81
Leaving building
P15.82
On the streets again, she re-uses another old poster to plop in her new made loop of Azreal running into the door. (optional spray painting another one, depending on a location that would subdivide that loop into three more!!!)
P15.83
Again she cracks up about it, and moves off down the street,
P16.84
and entering another old building
P17.85
goes up some stairs.
P18.86
She enters her apartment/bedroom.
P18.87
and turns on her walls by way of an old lightswitch which makes very white bright glowing light and
P18.88
through her activated interface (by this time we don´t explain in detail how she turns it on anymore just hold up left arm in front of her) she chooses a calm nightly loop. We see her fall into bed and
P18.89
close her eyes.
Az's point of view
A28.20&21
Everyone splits off in different directions (camera runs with Az).
A28.22
There are shots of him jumping over railings and walls (and the camera).
A7.23
Then approaching the sliding door, (below Ping P7.50).
A7.24
runs into the door a number of times.
A7.25&26&27
He hits and kicks the door - (hammers on it. Various closeups of his feet kicking the door hands hammering on it etc).
A7.28
(closeup of face turning upward - Noticing Ping laughing
A7.29
tiefe camera az im vordergrund ping auf dach - he pauses giving her a furious look, then concentrated look onto his arm.
A7.30
halbnahe - checks his tracker (him looking at his arm)
A7.31
nahe - (which suggests new preprogrammed route)
A7.32
totale/halbtotale - and runs off into the direction he come from
A29.33
He runs really fast, (steadycam camera running behind him through a longer street) pushing himself really hard.
A29.34
Sweaty head,
A29.35&36&37
Running feet, wall, jumping,
A29.38
sweating, frowning and looking concerned.
A29.39G
We see on the tracker that he overtakes two other runners (graphical overlay over the normal picture) but
A30.40
when he reaches the finish line he just looses to the first runner coming in in front of him.
A30.41
People on the sidewalk are cheering and
A30.42
the other runners come through as well. #
A30.42
The winner is celebrating with the cheering people and
A30.43
Azrael just gets a certificate from the registrar, who shakes his hand and gives him his bag.
A30.44
With head hanging, he slowly moves away from the after race celebration.
A31.45
unhappily walking through a street he had just run through, he stumbles over an obstacle he was raving over through the race.
A31.46
He arrives at a spot on the river - perhaps an old long-abandoned port facility.
In the background - is a torn up umbrella - Az reaches for his water bottle.
A31.47
then lights a fire in barrel, or such like, with a futuristic looking lighter and
A31.48
closeup - pulls some corn out of his bag
A31.49
closeup - which he puts on sticks
A31.50
totale - and holds over the fire
A31.51
gesicht im feuerschein nahe - Looking defeated, wistful and deflated,
A31.52
nahe - he eats some corn, then
A31.53
totale - gets up and leaves.
A32.54
He heads off home through the streets, walking past the loop Ping made of him (P15.82) running into the door.
A32.55
closeup face - looked dazzledbazzled
A32.56
closeup arm - He types "Ping" into the tracker search function and the tracker immediately blinks up with Ping's location.
A32.57&58
halbnahe und close he furiously rips chip off wall,
A32.59
close face - looking pissed-off, and
A32.60
halbtotale - sets off at a run out down the street.
A32.61(G)
His tracker guides him to her house.
A33.62
He pulls open door and enters
A33.63
runs up the stairs and
A33.64
bangs on her door.
Big Fish's point of view
B37.18
He shuts off his screen with a hand movement on the table and
B37.19
Totale - getting up,
B37.20
Totale andere Richtung - moves to a different desk,
B38.21&22&23
halbnahe Nahe Closeup - where he takes some earth from a bucket with a Spoon, and fills some small plant containers.
B38.24&25&26
halbnahe Nahe Closeup - He takes a sprouted seed and puts it into a container.
B38.27 optional
- then takes his pen, puts it in a liquid storage container that sits next to the plants and
B38.28 optional
closeup - puts a drop of nanostuff into a different container with earth in - and instantly a sprout grows.
B38.29
He puts the pen in a different container and
B38.30
putting a drop on some already sprouted seeds (they would glitter in the artificial lights and start growing a bit visually (optional definately).
B11.31
He turns around as he hears a knock on the door -
B38.32
Ping puts head round the door, saying 'Hi', closesing the door again.
B38.33
halb nah - Big Fish finishes putting more drops of liquid on more sprouted seeds and
B38.34
totaler then grabbing a baby plant, goes out the door.
B13.35/72
Entering the Green House
B13.36/73
he gives Ping the baby plant that he took. -
B13.74-77
She smiles and puts it into 'her corner'. Ping then shows Big fish the loop of Azrael running into the door again. They laugh. He says goodbye to Ping and
B13.35
leaving the greenhouse (opening door and stepping out
B39.36
tür halbnah - enters his laboratory.
B39.37
nah - Pleased at seeing Ping, he takes a Bottle of Wine from a shelf from between his laboratory equipment
B39.38
totale - and places it on a small table near a comfortable chair.
B39.39
halb nahe - He goes over to a jar and
B39.40
nah - puts his nanobot pen in which fills up, then
B39.40.b
halbnah - puts the pen into its holding place.
B39.41
total - He goes to the small bookshelf and
B39.42
nah picks out a book from Christopher G. Langton "Computation at the Edge of Chaos"
B39.42
nah über schulter (buch cover von oben - (which he quickly turns in his hand (as if to glance over it briefly)
B39.43
totale - He sits down in the chair,
B39.44
nahe/halbnahe pours some wine into a glass, then
B39.45
halb nahe takes the pen out of its holding place
B39.46
nahe letting the nanobots into the wine.
B39.47
Taking a sip, he opens the book -
B39.48
We see his face reading, and then he closes his eyes and falls asleep, tired from his long night.
B39.49
He enters a lucid dream where
B39.50(G)
the Game of Life appears, and slowly morphs into a pixalated face. Cut black out.
Act 4
Pings and Azraels point of view
P18.90
closeup - Pings gets woken up by a knock on the door and
P18.91
kind of sleepwalks over to the door, and dreamingly opens it.
PA18.92
Halbtotale -The enraged Azrael pushes in and
PA18.93
Totale mit zweite Kamera Näher dran - they have a quite violent fight.
PA18.94
Somehow her eyes get covered (by t-shirt being pulled) and she freaks out and
PA18.95
closeuop - pulls out a small spraycan of sleeping potion from her pocket and
PA18.96
closeup - sprays it into his face.
PA18.97
halbnahe He falters and immediately falls asleep.
PA18.98
Totale - Feeling a bit sorry she drags him over to her bed and
PA18.99
halbnahe - puts some liquid on his mouth that comes from the same bottle that she still has in her hand (other end perhaps).
PA18.100
closeup - A little while later he wakes up (open eyes) and she is looking at him.
He opens his eyes blinking, with a knocked out feeling. They both sit there and look at each other for a brief moment.
PA18.101
totale - He stands up and she invites him with a gesture, to a table that's in front of a wall.
PA19.102
Totale. zweite/dritte Camera capture facial expressions in close up- They sit down and converse. Converstation sequence with scripted words on the wall...
- Az: "I lost the race because of you!"
- Ping: "Why me?"
- Az: "You were fucking around with those doors!"
Az pulls out of his pant's pocket the chip he grabbed from her installation and gives it to Ping. She plugs it into a prepared spot on her wall in the middle of the table and it shows Az running into the door.
- Az: "Who if not you?"
The moment she shrugs somethings happens - A binary code rifts through the loop - "IT WAS ME!!!!" (un-readable as in binary)
They both look really puzzled.
She has a brainwave then
PA19.103
closeup on pings arm - turns on her implanted interface .
PA19.104
wieder totale - She looks through her recording database (bits of loops played fast backward) are played on the wall. Finally she finds the point where she recorded the installation from the beginning of the film (butterfly loop) with the code appearing shortly.
PA19.105
Camera über schulter von Ping - Ping turns on her floating nano-screen. She puts in the binary code over her arm interface (that just morphed) pushed 'enter', and it translated into ASCII characters that spell out "LIFE" and "IT WAS ME!!!!". We see Az look puzzled behind the screen.
PA19.106
Wieder Totale mit Tisch und Wand -
- Azrael: "Lets Go see Professor Big Fish and ask whats going on!"
- Ping: "Big Fish? You know him?"
Azrael nods.
Both looking puzzled again.
- Ping : "OK, good idea!"
nodding, they get up and leave.
Big Fish's point of view
B40.51
closup face - Sweaty and tired Big Fish wakes up from his lucid dream.
B40.52
totale/halbtotale - Dazed he walkes to a water boiling machine that probably has been
B40.53
closeup boiling water for him the last 40 years. He turns it on (steam blubber steam)
B40.54
halbnahe - he takes a cup that he uses every day without washing it up, and put some loose tea in a tea egg, pouring water over the tea.
B40.54
fullbody - He dazes around, while the tea brews. Morning sunlight shines through some slits in the otherwise darkened lab.
B40.55
halbnahe After a while he has a couple of sips. (Steam coming from cup with sunlight behind)
Act 5
Ping, Azrael and Big Fish
PA20.107
Ping and Azrael get out of Pings Appartment and
PA20.108
walk along a street, then
PA21.109
enter the house of Big Fish Laboratory, going
PA21.110
up the stairs and
PA21.111
knock on the door.
PAB21.112
Big Fish opens the door from inside and looks shocked, surprised, then happy to see them together visiting him. Ping just waves her hand as to say "its a long story so don´t even ask". Then Big Fish invites them in.
PAB21.113
They sit down around the Laboratory table where the black eye experiment is still present.
PAB21.114
closeup,Ping turns on her interfaces.
PAB21.115
halbtotale tisch - She shows Big Fish the loops she recorded with the binary code in them.
PAB21.116
halbnahe tisch Ping und Big Fish - She gives him the chips.
Big Fish takes the chips, swivels around his creaky old office chair that's seen better days and rolls over to his workbench.
PAB21.117
Azrael and Ping wonder around in the laboratory (in the background) while Big Fish takes the Chips and puts them on a plate that has wires coming out in all directions.
PAB21.118
Some circuitry visuals etc cutting in.
PAB21.119
the plate starts to glow a little.
PAB21.119
Suddenly the power cuts out. Picture black for some time, then we see some strange-looking floating nano-lights brightning up the room, floating off Big Fishs hands. (He pulled them out his pant pocket in the darkness and activated them).
PAB21.120&121&122
facial closeups - The all look a little terrorized and puzzled.
PAB21.123
Big Fish crouches under a table and fiddles with something looking like an old school generator or such. The power comes back on, visible by the screens all in 're-set' mode and the lights flickering back on.
PAB21.124
Big Fish looks terrified at the plate where
PAB21.125
we see black plastic drops smoldering - the chips are fried because of the power cut.
PAB21.126
All three look disappointed.
PAB21.127
closeup Pings face - Ping has another Brainwave blink blink
PAB21.128
halbtotale - she shows with her hands, the sliding doors movement (in the background we see the Azrael runs into door clip as a second layer overlay).
The other two nod.
They all leave the room.
PAB22.129
Go out of the building
PAB23.130
along a street where there is the butterfly installation of ping (the very first one). When they walk by it, it changes quickly(what and how to be figured out in postproduction) showing Kalkins presence.
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The turn into the familiar alleyway and come to the sliding door.
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They get closer to the door and
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halbnahe - Big Fish places a sensor by it.
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When they move away from the door it strangely opens and closes on its own.
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They all look amazed and puzzled. Big Fish goes and picks up the sensor. They all leave the scene with the door closed.
Ending
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They enter a Commons Room (bar, meeting place or such maybe open air) and go over to a big bowl of home-made cider
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closeup of one of them pouring the liquid into a glass from the big barrel in the middle of the place
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observation am tisch aus verschiedenen perspektiven - and laugh, talk and play stupid little table games until the sun sets.
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They then get up and say farewell to each other and leave the place going in different directions.
Ping's point of view
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Ping goes through two familiar streets
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back to the park from the beginning, which shimmers in the moonlight.
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halbnahe ping sitzens - Ping sits down and looks at the stars. (Maybe she smokes again). We see her sitting there in amazement looking at a star (open mouthed, really amazed and happy). After a while she scratches her head.
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closeup - She turns on her interface and
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halbnahe - floating screen for a last time rewinds what she has just seen and there the stars are forming into a butterfly which flies off into the black universe. Her eyes widen....................
Az's point of view
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On his way home (walking along one two streets that are familar)
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closeup Arm - Azrael checks his tracker to see the way home (he is still not familiar with his surroundings)
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when he looks, he notices a different part where the park is located, glowing strangely, then the map picture disintegrates leaving just a message on his screen saying "Network Busy"..........................
Big Fish's point of view
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Big Fish back enters his laboratory
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and puts the analysing sensor from the door on the chip analysing plate.
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One of his floating screens shows a vast network of connections pulsating rythymicly and organicly like a brainscan. He turns to the other floating screen, and calls a hacker guy tim on the webcam.
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Saying 'hi' and visually asking him a question, he sends the data (a 'sending' message is on top of the pulsating picture).
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Tim looks at it, shrugs, shakes his head and sends him two other files (indicated by a "file sending 1/2 2/2 flashing on the screen within moments).
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The picture fades-in, firstly showing a connection from one computer to the door - when normally a person would remotely control the door (typo overlay: normal remote control connection),
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then secondly a disguised connection (typo: disguised connection) showing multiple connections ending at the doorpoint but still a mere fraction of what has been going on on Big Fish's picture.
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Big Fish nods, shaken and deep in thought. He raises hands to say thanks, switches off connection to hacker and looks to the screen with the connection analysis.
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Cut back to Big Fish Face close up frowning and thinking - Big Fishs End.