Musikvideos
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| Firstly, all video music clips may be considered to be examples of 'spectacle'. Spectacle, as distinct from narrative, has been discussed in a number of different works on film and TV but in different ways. It is relevant to a discussion of the gaze and address, and representations of sexual difference. | Firstly, all video music clips may be considered to be examples of 'spectacle'. Spectacle, as distinct from narrative, has been discussed in a number of different works on film and TV but in different ways. It is relevant to a discussion of the gaze and address, and representations of sexual difference. | ||
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| + | Ellis linked 'spectacle' with the psychoanalytic concepts of voyeurism and fetishism which are intrinsically connected to arguments about the gaze of the spectator and address within the film, and where 'spectacle' involves display, fetishistic looking and direct address | ||
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Revision as of 12:16, 27 March 2006
http://wwwmcc.murdoch.edu.au/ReadingRoom/1.2/Stockbridge.html
Firstly, all video music clips may be considered to be examples of 'spectacle'. Spectacle, as distinct from narrative, has been discussed in a number of different works on film and TV but in different ways. It is relevant to a discussion of the gaze and address, and representations of sexual difference.
Ellis linked 'spectacle' with the psychoanalytic concepts of voyeurism and fetishism which are intrinsically connected to arguments about the gaze of the spectator and address within the film, and where 'spectacle' involves display, fetishistic looking and direct address