Kapitel Zwei: Live Cinema ist eine neue mediale Sprache aus den Bausteinen vorhandener Konzepte
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Actually the most descriptive term for the new cinema is "personal" because it's only an extension of the filmmaker's central nervous system. | Actually the most descriptive term for the new cinema is "personal" because it's only an extension of the filmmaker's central nervous system. | ||
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+ | 100: Schofill has developed a method of A-B-C-roll editing for super- | ||
+ | impositions, adapted from Karel Reisz's methods of cutting single | ||
+ | footage.19 It's a rhythmic concept, that is, a shot is divided into | ||
+ | definite kinetic "beats." The kinetic activity begins, reaches a middle | ||
+ | point, and ends. In triple superimpositions, the corresponding | ||
+ | rhythms of each piece of film are matched, fading in and out without | ||
+ | abrupt cuts. |
Revision as of 15:55, 28 May 2006
Expanded Cinema Page 81:
Time, said St. Augustine, is a threefold present: the present as we experience it; the past as present memory; the future as present expectation. Hopi Indians, who thought of themselves as caretakers of the planet, used only the present tense in their language: past was indicated as "present manifested," and the future was signified by "present manifesting.”6 Until approximately 800 B.C., few cultures thought in terms of past or future: all experience was synthesized in the present. It seems that practically everyone but contemporary man has intuitively understood the space-time continuum.
82: Actually the most descriptive term for the new cinema is "personal" because it's only an extension of the filmmaker's central nervous system.
100: Schofill has developed a method of A-B-C-roll editing for super- impositions, adapted from Karel Reisz's methods of cutting single footage.19 It's a rhythmic concept, that is, a shot is divided into definite kinetic "beats." The kinetic activity begins, reaches a middle point, and ends. In triple superimpositions, the corresponding rhythms of each piece of film are matched, fading in and out without abrupt cuts.