Kapitel Vier: Live Cinema Software als instrumentelles Medium und mediales Instrument für fliessende Erzählungen
From Live Cinema Research
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| expanded cinema 107: ''This process, best described as "post-stylization," is accomplished through cinematic equivalents of the four historical styles of art: realism, surrealism, constructivism, and expressionism. Cinematic realism already has been defined as Cinéma-vérité capturing and preserving a picture of time as perceived through unstylized events. Cinematic surrealism is achieved by the juxtaposition of unstylized elements so incongruous and remote that close proximity creates an extra dimension, a psychological reality that arises out of the interface. Cinematic constructivism, as we've discussed it, actually is the universal subject of synaesthetic cinema: a constructivist statement, a record of the process of its own making. Cinematic expressionism involves the deliberate alteration or distortion of unstylized reality, either during photography with lenses, filters, lights, etc., or after photography with optical printing, painting, or scratching on film.'' | expanded cinema 107: ''This process, best described as "post-stylization," is accomplished through cinematic equivalents of the four historical styles of art: realism, surrealism, constructivism, and expressionism. Cinematic realism already has been defined as Cinéma-vérité capturing and preserving a picture of time as perceived through unstylized events. Cinematic surrealism is achieved by the juxtaposition of unstylized elements so incongruous and remote that close proximity creates an extra dimension, a psychological reality that arises out of the interface. Cinematic constructivism, as we've discussed it, actually is the universal subject of synaesthetic cinema: a constructivist statement, a record of the process of its own making. Cinematic expressionism involves the deliberate alteration or distortion of unstylized reality, either during photography with lenses, filters, lights, etc., or after photography with optical printing, painting, or scratching on film.'' | ||
| - | ===Geschichte=== | + | ===Evolutionäre Entwicklung=== |
| von Farborgeln bis algorythmic Programme | von Farborgeln bis algorythmic Programme | ||
| - | ===Moderne Programme==== | + | ===Unbrauchbare Interfaces==== |
| Datenbank Basiertes Interface (Grid, Flowmotion) | Datenbank Basiertes Interface (Grid, Flowmotion) | ||
| Layer Basiertes Interface (wie heisst das noch is so orange grau) | Layer Basiertes Interface (wie heisst das noch is so orange grau) | ||
| Line 10: | Line 10: | ||
| Strukturbasiertes live programmiertes interface (Quartz Composer, Max/MSP) | Strukturbasiertes live programmiertes interface (Quartz Composer, Max/MSP) | ||
| - | ===Wie kann ein Live Cinema Interface aussehen?=== | + | ===Geschichtenerzähler trifft Rockgitarre=== |
| Spatiality | Spatiality | ||
Revision as of 15:48, 21 June 2006
expanded cinema 107: This process, best described as "post-stylization," is accomplished through cinematic equivalents of the four historical styles of art: realism, surrealism, constructivism, and expressionism. Cinematic realism already has been defined as Cinéma-vérité capturing and preserving a picture of time as perceived through unstylized events. Cinematic surrealism is achieved by the juxtaposition of unstylized elements so incongruous and remote that close proximity creates an extra dimension, a psychological reality that arises out of the interface. Cinematic constructivism, as we've discussed it, actually is the universal subject of synaesthetic cinema: a constructivist statement, a record of the process of its own making. Cinematic expressionism involves the deliberate alteration or distortion of unstylized reality, either during photography with lenses, filters, lights, etc., or after photography with optical printing, painting, or scratching on film.
Evolutionäre Entwicklung
von Farborgeln bis algorythmic Programme
Unbrauchbare Interfaces=
Datenbank Basiertes Interface (Grid, Flowmotion) Layer Basiertes Interface (wie heisst das noch is so orange grau) Videomixer basiertes Interface (VDMX) Strukturbasiertes live programmiertes interface (Quartz Composer, Max/MSP)
Geschichtenerzähler trifft Rockgitarre
Spatiality
Timeline
Bild: Effekte, Tempo
Komposition: Layers, Mix (Key)
Steuerelemente: Audioanalyse, Midi und Externe Controller