Kapitel Vier: Live Cinema Software als instrumentelles Medium und mediales Instrument für fliessende Erzählungen
From Live Cinema Research
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| - | expanded cinema 107: This process, best described as "post-stylization," is accomplished | + | expanded cinema 107: ''This process, best described as "post-stylization," is accomplished through cinematic equivalents of the four historical styles of art: realism, surrealism, constructivism, and expressionism. Cinematic realism already has been defined as Cinéma-vérité capturing and preserving a picture of time as perceived through unstylized events. Cinematic surrealism is achieved by the juxtaposition of unstylized elements so incongruous and remote that close proximity creates an extra dimension, a psychological reality that arises out of the interface. Cinematic constructivism, as we've discussed it, actually is the universal subject of synaesthetic cinema: a constructivist statement, a record of the process of its own making. Cinematic expressionism involves the deliberate alteration or distortion of unstylized reality, either during photography with lenses, filters, lights, etc., or after photography with optical printing, painting, or scratching on film.'' |
| - | through cinematic equivalents of the four historical styles of art: | + | |
| - | realism, surrealism, constructivism, and expressionism. | + | ===Geschichte=== |
| - | Cinematic realism already has been defined as Cinéma-vérité | + | von Farborgeln bis algorythmic Programme |
| - | capturing and preserving a picture of time as perceived through | + | |
| - | unstylized events. | + | ===Moderne Programme==== |
| - | Cinematic surrealism is achieved by the juxtaposition of unstylized | + | Datenbank Basiertes Interface (Grid, Flowmotion) |
| - | elements so incongruous and remote that close proximity creates an | + | Layer Basiertes Interface (wie heisst das noch is so orange grau) |
| - | extra dimension, a psychological reality that arises out of the | + | Videomixer basiertes Interface (VDMX) |
| - | interface. | + | Strukturbasiertes live programmiertes interface (Quartz Composer, Max/MSP) |
| - | Cinematic constructivism, as we've discussed it, actually is the | + | |
| - | universal subject of synaesthetic cinema: a constructivist statement, | + | ===Wie kann ein Live Cinema Interface aussehen?=== |
| - | a record of the process of its own making. | + | Timeline |
| - | Cinematic expressionism involves the deliberate alteration or | + | |
| - | distortion of unstylized reality, either during photography with lenses, | + | Bild: Effekte, Tempo |
| - | filters, lights, etc., or after photography with optical printing, painting, | + | |
| - | or scratching on film. | + | Komposition: Layers, Mix (Key) |
| + | |||
| + | Steuerelemente: Audioanalyse, Midi und Externe Controller | ||
Revision as of 17:15, 20 June 2006
expanded cinema 107: This process, best described as "post-stylization," is accomplished through cinematic equivalents of the four historical styles of art: realism, surrealism, constructivism, and expressionism. Cinematic realism already has been defined as Cinéma-vérité capturing and preserving a picture of time as perceived through unstylized events. Cinematic surrealism is achieved by the juxtaposition of unstylized elements so incongruous and remote that close proximity creates an extra dimension, a psychological reality that arises out of the interface. Cinematic constructivism, as we've discussed it, actually is the universal subject of synaesthetic cinema: a constructivist statement, a record of the process of its own making. Cinematic expressionism involves the deliberate alteration or distortion of unstylized reality, either during photography with lenses, filters, lights, etc., or after photography with optical printing, painting, or scratching on film.
Geschichte
von Farborgeln bis algorythmic Programme
Moderne Programme=
Datenbank Basiertes Interface (Grid, Flowmotion) Layer Basiertes Interface (wie heisst das noch is so orange grau) Videomixer basiertes Interface (VDMX) Strukturbasiertes live programmiertes interface (Quartz Composer, Max/MSP)
Wie kann ein Live Cinema Interface aussehen?
Timeline
Bild: Effekte, Tempo
Komposition: Layers, Mix (Key)
Steuerelemente: Audioanalyse, Midi und Externe Controller