Kapitel Vier: Live Cinema Software als instrumentelles Medium und mediales Instrument für fliessende Erzählungen
From Live Cinema Research
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| - | expanded cinema 107: Cinematic constructivism, as we've discussed it, actually is the universal subject of synaesthetic cinema: a constructivist statement, a record of the process of its own making. | + | expanded cinema 107: This process, best described as "post-stylization," is accomplished |
| + | through cinematic equivalents of the four historical styles of art: | ||
| + | realism, surrealism, constructivism, and expressionism. | ||
| + | Cinematic realism already has been defined as Cinéma-vérité | ||
| + | capturing and preserving a picture of time as perceived through | ||
| + | unstylized events. | ||
| + | Cinematic surrealism is achieved by the juxtaposition of unstylized | ||
| + | elements so incongruous and remote that close proximity creates an | ||
| + | extra dimension, a psychological reality that arises out of the | ||
| + | interface. | ||
| + | Cinematic constructivism, as we've discussed it, actually is the | ||
| + | universal subject of synaesthetic cinema: a constructivist statement, | ||
| + | a record of the process of its own making. | ||
| + | Cinematic expressionism involves the deliberate alteration or | ||
| + | distortion of unstylized reality, either during photography with lenses, | ||
| + | filters, lights, etc., or after photography with optical printing, painting, | ||
| + | or scratching on film. | ||
Revision as of 16:22, 28 May 2006
expanded cinema 107: This process, best described as "post-stylization," is accomplished through cinematic equivalents of the four historical styles of art: realism, surrealism, constructivism, and expressionism. Cinematic realism already has been defined as Cinéma-vérité capturing and preserving a picture of time as perceived through unstylized events. Cinematic surrealism is achieved by the juxtaposition of unstylized elements so incongruous and remote that close proximity creates an extra dimension, a psychological reality that arises out of the interface. Cinematic constructivism, as we've discussed it, actually is the universal subject of synaesthetic cinema: a constructivist statement, a record of the process of its own making. Cinematic expressionism involves the deliberate alteration or distortion of unstylized reality, either during photography with lenses, filters, lights, etc., or after photography with optical printing, painting, or scratching on film.