Kapitel Drei: Visuelles Erzählen unter Echtzeitbedingungen als künstlerische Darbietung
From Live Cinema Research
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Revision as of 14:27, 20 June 2006 ProtoAdmin (Talk | contribs) ← Previous diff |
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+ | ===Echtzeit - Interaktion und Kommunikation=== | ||
+ | expanded cinema 82: Actually the most descriptive term for the new cinema is "personal" because it's only an extension of the filmmaker's central nervous system. | ||
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+ | - Energiefluss Publikum/Aufführung | ||
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+ | ===Moderne Orte der Energie=== | ||
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- Konzerte | - Konzerte | ||
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- Clubkultur | - Clubkultur | ||
- | - Energiefluss Publikum/Aufführung | + | - Theater |
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+ | ===Strukturelle Aspekte der Aufführung=== | ||
+ | |||
- jazz improvisation | - jazz improvisation | ||
- | expanded cinema 82: Actually the most descriptive term for the new cinema is "personal" because it's only an extension of the filmmaker's central nervous system. | ||
http://www.pbs.org/jazz/lounge/101_improvisation.htm | http://www.pbs.org/jazz/lounge/101_improvisation.htm |
Revision as of 15:44, 21 June 2006
Echtzeit - Interaktion und Kommunikation
expanded cinema 82: Actually the most descriptive term for the new cinema is "personal" because it's only an extension of the filmmaker's central nervous system.
- Energiefluss Publikum/Aufführung
Moderne Orte der Energie
- Konzerte
- Happenings/Fluxus
- Clubkultur
- Theater
Strukturelle Aspekte der Aufführung
- jazz improvisation